Friday, January 8, 2016

Two-Layered Letter

Dear you,

Last night, after writing you, I came across a desolate letter, abandoned within the pages of a book I am yet to read. A letter that rested for years on my bookshelf and which seemed to be the only one remaining from a chain of letters between two people who, by the look of it, seemed like lovers, but who could only be lovers in novels.
The letter reads as follows, and I will leave you to it.

“Dear Bea,

I received your last letter with so many words on my lips, words that I have once wished to write delicately. I felt exactly like a writer who was in a frenzy to write what was on his mind and bleeding pen as fast as he could, as if in fear of losing what he longed for in so many years, now that it has come again: words.
For nights on end I wondered if I should write you back with an answer to your question, knowing that no mysteries or vague answers could convince you nor alleviate your desire to know. I knew you always spoke of me as a writer, but I had always been full of anxieties to disappoint you should you ever show up as a character in the books I write. But knowing you, and how you were always faithfully mesmerized with words yet feared them (perhaps a stronger word exists, like a word-phobia), it would only be fair to give you what could sooth your urge, or create an even more burning desire with words.

This is how you, my real Bea, would be in my fiction:

‘She sat in a corner of an old café, which smelled of old books, perhaps because the bookshop that had once been there decades in the past always remained there somehow. And she believed it, because, as she would put it, books never die; once they are placed in a shelf somewhere, they always retain their place for years and years to come. Their smell would never go away, because it was the smell of words, characters, and real life simply put into fiction. Everything about books was real to her. Books were pieces of reality put together, and these pieces would always be real to someone.
She rested there, hunched up and lifting her legs on the chair next to her, unaware of life passing by her and time going somewhere else. Her clocks were ticking anti-clockwise, because she believed reading gives you life on your life. Time, to her, only existed when she finished the last pages of a book and stared at the world around her, realising that nothing changed, that the world passed a book’s shattered ending without looking it in the eye and feeling its broken pieces.
While reading, she would forget her coffee on the table until it was cold, fixing her eyes only on words and her lips on the way words were let out of her, like magic. She would gasp in a low voice, almost a whisper, if a character dies without a warning, or when misery casts its shadows on a once peaceful life. She would feel her hands and body shiver when she reads about her favourite character being soaked under the rain, without a shelter to find. And she would, always silently, sob tears alone in that café corner while reading the very last line of her books. Unknowingly, she would sometimes embrace that book, close her eyes which are full of words, and rest for a few minutes, as if trying to catch her breath to be able to go back to reality.
But, above all, she wouldn’t stop reading. She was okay with being alone, and her idea of alone was different than those who did not read. With that, she never felt alone, ever in her life. And I was there, like one character in all her books, watching her, knowing that my gaze would not stir her, because, after all, I wasn’t her favourite character. I wished I could be, but I never was. I was in the shadows and she was in the light. She sometimes spoke to me but merely as a stranger in the novel not as a friend, let alone a lover.
I was fine with this, as long as she kept reading. Her readings were my own refuge, to be in her thoughts, if I am not ever going to be in her life. I was her fiction, and she was my reality. But alas, like two parallel worlds, we would never cross paths.’

You, Bea, have always been there, in my books, and if you ever look closely, you will find me, too, there, looking at you from a corner in the street or from behind the windowpanes of old shops. But there will always be only one chance for us to meet in every book, and that chance will never be real.
Yours truly,
D”


TBC

Thursday, January 7, 2016

Half a Solo Dance

Dear you,

I have danced so much in your space until my feet felt numb and my body lost its balance under the constant moves you made. I have taken a floor that was not mine, and thus receded to where I belonged, far from the spotlights of the dance songs.
I left you there, unaware of my absence and immersed magically in your own moves. You danced alone and enjoyed it more than a dance in my company, so I retreated humbly to let you dance until the last move of your soul. When I started to feel my body again, I sat on a chair close by to be able to see you. You moved as if the earth were underneath you and the air was moving you, not your own body. You let your hands sway and your legs carry your whole body at once and drop it on the floor the next moment without thumping a bit, like a butterfly, or a bird.
The whole audience fixed its gaze on you, like a dance show. They would clap and gasp with every sway you made. But no one knew you swayed better alone. You danced better alone. The floor was always yours, and when I appeared, I would only be the partner of the lead dancer. I would be nothing more. You led my steps and I followed your pace, however fast it was. I was always able to follow your lead and pace, without questioning how or why. I would then withdraw myself slowly so that you can make your final moves. My hands would gradually let go of yours, finger by finger, slowly and reluctantly. Because I always wanted to dance with you until the very last move, until that moment we abruptly finish our dance, stare joyfully at each other, and kiss one another in a blink.
I had always wanted to leave the floor with you, not alone. But you were destined to have the floor for yourself at the end of every dance. It felt like I would never make any endings with you. And while you chose to be alone, you left me always, always with void, incomplete dances, abruptly ending when they are close to their climax. Like now.

Yours faithfully and sincerely,
N.

Wednesday, January 6, 2016

Letter within a Letter

Dear you,

This is a letter within a letter.
"She, she held the world within the contours of her lips. When she spoke, she let out words so confidently that it felt like the world was under her reign, and that, when she sealed her lips, the world has  fallen into momentary peace. 
He, he looked at her, visualising the words, lines, and unintentional rhythms coming out of her lips like some sort of a poet, or the remains of a poet. She wasn't trying to be poetic, and he wasn't trying to look for poems inside her; she had always been good with words, with describing how the universe worked, or at least her idea of how the universe worked. She believed in making wishes upon shooting stars in the darker days, and in days when no single star would be seen up in the sky. She saw constellations no one could see, because, as she says, there are only so many wishes you could make so that you can look up and always see stars no one could see. It was, according to her, her universe inside our own. And that was her. She spoke in the simplest words but which produced a cyclone of ideas in the minds of those listening to her.
He listened with all his senses, body, heart, and soul, wishing to catch one word of hers to put it in a sentence of his own, as musical as hers. He could see in her eyes every comet, and a galaxy of wishes she has made in every single day of her life. But he never spoke as witty as her. He always had the concise answers to every question, and that answer was within his lips like a marshamallow anyone could swallow easily. He thought that, with his words as marshamallows within his lips, and with her words like the whole world within hers, they could kiss the world away with their marshamallow dreams. They would heal the world with sealed lips, and allow dreams to free them from whatever their words will carry. Because within words lie realities, and within silence lies imagination. And no one needs words in love."

I love you.

Yours faithfully and sincerely,
N.

Tuesday, January 5, 2016

أسرار الغرباء

إليكَ أنت،

أحيانًا أنثر أمنيةً في الهواء بأن نشارك الغرباء أسرارنا أكثر، بأن نحكي لهم عمّا لن نتمكن من البوح به لمن نعرفهم. الغرباء وإن امتلأت رؤوسهم بالأحكام علينا فإننا لن نراهم ثانية، أمّا من نعرفهم فقد نخاف أن يملأهم الحكم علينا ولا يتلاشى مع الزمن. الخوف يتملّك جميع علاقاتنا مع من حولنا، وعدم الأمان بداخلنا. الخوف يولّد الكثير من الأشياء غير العقلانية والواقعية والمنطقية. ولكنه لا يذهب.

ما المانع إذن؟

ولك كامل إخلاصي ووفائي،
نون.

Sunday, January 3, 2016

دائرة مُفرَغة

إليكَ أنت،


ما هو التعبير الأمثل لمن يخاف الذكريات؟ وما هو المصطلح المعبّر لمن تلاحقه الذكريات؟ لا تقل لي إنه ليس في اللغة العربية أجمع وعلى مرّ تاريخها من انضم إلى علماء المجمع اللغوي ولم تصِبه الذكريات بشيء من الغصة في الحلق، أو بشيء من الوخز المفاجئ الذي لا يترك لك شيئًا من الرحمة لتتنفس قليلًا. لا تقل لي إن أحدًا منهم لم يجئ بلفظٍ يبعث لنا بشيئٍ من الطمأنينة ويعبّر لنا عمّا تبوح به أنفسنا الفقيرة. ولكن الذنب ليس ذنب اللغة، فهي بريئة من أحاسيسنا، وإنما الذنبُ ذنبنا، نحن الذين نخاف مما ولّى ولن يعود، ومما يحمله لنا الغير من الذكريات التي لم نكد ننساها لتطاردنا في هيئة أشخاص يذكّرونا بأشياء لم ننسها بعد.

ما هي الذاكرة؟ ولِمَ تتتحايل ضدنا في أغلب الأوقات لتذكّرنا بأيام لن تعود، والأفضل لها ألّا تعود؟ وما هو الوقت؟ ذلك الشيء الذي لولاه لفقدنا الإحساس بمئات الوقائع ولتركنا كل شيء ينسحب إلى خيالاتنا. ماذا إذا توقفت عقارب الساعة عن الدوران وتركتنا في هدوء الغرفة من حولنا، تركتنا مع الحوائط الأربعة وبين أفكارنا، أليس هذا بسجنٍ كافٍ لنا؟ أيجب على العقارب أن تدور محدثةً صوتًا يذكّرنا بأن العمر يمضي، وبأن حاضرنا ليس إلًا ماضيًا ينتظر التكوين؟ ولكن الذنب ليس ذنب الوقت بل ذنبنا، علينا التخلص من ساعات العالم أجمع، لكي نضيع في واقعنا ولا نبحث عن ماضٍ أو نخاف مستقبلًا لا ندري كُنهه. علينا أن نضلّ لنعرف الطريق.

ما هي الكلمات؟ ومن أين جاءت بالسحر الذي ساعة يقتلنا وساعة يعيد إحياءنا؟ ما هو السر وراء هذه الحروف اللغوية التي تكوّن معانٍ مختلفة مع كل إنسان يستخدمها؟ اللغة ما هي إلّا شيء من السحر، ولكنّه سحر يملكه جميع البشر، ومنهم من لديه القدرة على استخدامه كسحر ذلك الذي نشاهده في المسارح وعلى التلفاز. اللغة عالم لا ينتهي، ولكل لغة سحر خاص بها، ولكل سحر سحرته الخاصة. فكيف لي ألّا أنتهز جمال اللغة وأدبها لأكتب لك، لأعبّر لك عن أفكاري التي ما هي إلّا نتاج للّغة واللغة نتاج لها. كيف لي ألا أكتب لك وأنت من يصمت دون رسائل لي، لأنك تعلم أن اللغة وحدها أحيانًا لا تكفي للتعبير، ونحتاج إلى لغة أخرى هي لغة الجسد. 
كيف وأنت تعلم كل شيء؟

ولك كامل إخلاصي ووفائي،
نون. 

Saturday, January 2, 2016

Who Needs Pictures #1

Dear you,

"Who needs pictures, with a memory like mine?" was an old song from 1999 by Brad Paisley, whose lyrics and music I can still hear in my head up to this day. So, I decided to just listen to it and write you what I am about to write right now.

--

What if we had no way of recalling our memories other than our minds, souls, and hearts? What if black and white pictures were never developed to be coloured? What if they had stayed this way? Would it have helped our imagination to stay wild? Would it have helped us imagine colors that didn't exist and places that never made it to maps?
What if we decided to let things be as simple as one picture for a memory of years and years to come? What if this one picture had the power, the magic, allowing us to visualise everything about the events of the memory without having to look at the rest of the albums? And what if, by simplistic styles of living, we accepted the fact that memories are in the hearts and souls of humanity, not in the albums of pictures of it? Would all of this have made anything any better, any simpler, for any of us?

What if we chose simplicity rather than having to spend time photographing what could be the best memories of our lives, and only realising that we have already missed half of them by taking pictures.

What if, by merely believing you exist, I could imagine you right here, right now, without having to see you? What if we simply believed in the best memories rather than having to record them to prove they existed?

Who needs pictures, in a world full of them?

Yours faithfully and sincerely,
N.

Friday, January 1, 2016

حتّى تأتي، أُحبُّك

إليكَ أنتْ،

منذ سبتمبر الماضي وأنا أكتب لك، ولا أدري ما إذا كنتُ سأتلقى منك ردًا يومًا ما، أم أن ما أكتبه هذا ما هو إلا تنفيس عن النفس لشخصٍ قد لا يكون له وجود، على هذه الأرض الجرداء البائسة.
وفي هذه الأشهر المعدودة، تعلّمتُ أن الكتابة لا تتطلبُ وحيًا أو إلهامًا ما، ينهال على الكاتب دون وعيٍ، وإذا بالكلمات تتناثر على الورق وتكتب نفسها دون أقلام أو أفكار منتظمة، فالأفكار ستتشكّل مع انتهاء هذه النوبة أو الحالة الهستيرية التي نسمّيها وحي الكاتب، أو وحي خيال الكاتب.
دعك من كل هذا، فهو ليس إلا ترهات لا وجود لها في حياة الكاتب الحق، ذلك الذي يقضي ليالٍ غير منقطعة تتزاحم الكلماتفي أحلامه، وتذبل وتختفي إلى عوالم غير مرئية وخيالات لا تنتمي إلى أوراقه. كله كذب.
خُدعتُ عندما ظننتُ أنني سأكتب إليك بلا انقطاع، لأن وجودك في مدوناتي، ووجود رسائلي إليك، سيبعث إليّ بسحرٍ ما يلهمني أن أكتب لك بشكل يومي، كلمات لن ترَ لها مثيلًا. ظننتُ أن ذكرك في رسائلي وحده سيوحي إليّ أن الكلمات موجودة، ولكن فقط عليّ أن أعثر عليها بداخلي.
كله كذب، كلها أوهام، خُدعنا وظننّا أن الحياة عبارة عن وحي ضائع يبحث عمّن يعثر عليه في كتاب ما.

الكتابة مثلها مثل العزف على آلة موسيقية ما، ستأتي المقطوعة الساحرة فقط بعد ساعات غير منقطعة من العزف والنغمات الشاذة والأوتار غير المنسجمة مع بعضها البعض. كذلك الكتابة، لن تأتي القصة أو الرواية أو الرسالة المبدعة إلا مع عشرات بل مئات الكلمات المبتذلة الركيكة والمكررة.

ولعلّ كتاباتي لك بالأخص لن أتلقّى منها ردًا إلا عندما أكتب ما يُنطق معاجمك فتعتزم الرد برسالة تكون هي ما سيؤول إليه مصيري إما بالسعادة الأبدية أو بالبؤس السرمدي.

وسأظل أكتب باللغتين حتى أعرف لغتك التي تفهمني بها أكثر، وسأظلّ أصارع مع الفشل حتى يتمكن أحدٌ منّا من الآخر. المهم أن أؤمن، وأظل أؤمن، أن العبرة بالخواتيم. والبدايات ما هي إلاّ تحدٍ.

وأحبّكَ حتى تأتي، بكل ما في الكلمة من ابتذال، وبكل ما فيها من خيال.

ولكَ كامل إخلاصي ووفائي،
نون.